Very much identical to developing a scene based on a play, illustration relies on the text. Based on a story or a novel, illustrations strive for a lesson. In one [...]
To say it is like putting chili on your tongue, where putting chili on your tongue compares with a burn helps us to understand the reason behind the dual implications [...]
Chandrashekharan’s illustrations started appearing in Deshabhimani at a time when visual art in the illustrations of of A.S. and Namboothiri was radically transforming the visual engagement of Malayalees. Chandrashekharan found [...]
In the realm of pictorial arts, illustration for literary works is considered as a very demanding sub-genre. Limitations are plenty. Various elements such as the writer, characters, and context even [...]
As a professional, the duty of the illustrator is to complete certain things left unsaid by the writer. Here, ‘certain things’ is underscored. The artist need not complete everything left [...]
Thematically speaking, Chandrashekharan’s computer-aided works address contemporary political developments. It is only at this topical level that these works compare with his early illustrations. [...]
The source of an artist’s contentment lies in the search for novel creative pathways. Chandrashekharan did not merely reproduce a conventional variety of illustration. This visual artist looked for refreshing [...]
One can only attribute this virtue to a certain attitude that relies on continuous learning. The intense attention defining his movement from one character to the other is worth studying. [...]
Biju Govind SOMETIME IN August 1997, the literary critic M.N. Vijayan wrote in his column in the Deshabhimani weekly that the illustrations of Chans (Chandrasekharan) were “bold and sure” Then, [...]